Composing the Future: Extinction/Loss
Participatory performance as part of Boston Coastline: Future/Past with Catherine D’Ignazio. Part of the DeCordova Sculpture Park and Museum’s exhibition Walking Sculpture: 1967-2015. Performed on June 16, 2015 This project invited participants who attended the performance walk Boston Coastline: Future/Past to create a collaborative sidewalk-stenciled timeline of the future vis a vis extinction and loss. Since 2011, through an ongoing series of dialogue-based...
Read MorePromiscuous Production: Meeting is Bittersweet
A National Bitter Melon Council Public, Interactive Intervention, Nov. 7, 2010 Group Exhibition: Let Them EAT LACMA, a 1-day performance event celebrating the closing of the garden-focused exhibition: EAT LACMA (June – November, 2010) Los Angeles County Museum of Art (LACMA) Meeting (and its aftermath) carries the essence and inevitability of human contact: exchange, wonder, and change. This Meeting is Bittersweet, a human-scale manifestation of the National Bitter Melon...
Read MoreCommunity Supported Agriculture: A Share of Bitter Melon
A National Bitter Melon Council Public Intervention project, 2006 Various kitchens and tongues in Eastern Massachusetts, USA via Farmer Collaborators The food distribution ideology of the National Bitter Melon Council’s Community Supported Agriculture (CSA) operates using strategies and producing results that parallel Mail Art, a conceptual art practice that emerged in the 1960’s where visual art, sound, poetry, and other whimsical objects were distributed at random...
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Berwick Research Institute
National Bitter Melon Council (NBMC)title
